🚨 WEDNESDAY’S BABY IS HERE in Season 3 (2027) Official Trailer Teaser – But Enid’s GONE… And the HUNT Just Turned DEADLY! 🚨

A crib rattles in Nevermore’s crypt. Wednesday cradles a black-eyed infant swaddled in raven feathers, whispering “Sleep, little death.” Then – Enid’s claw marks gouged into the wall: HELP ME. Jenna Ortega’s ice-cold stare cracks for the first time as outcast hunters close in. This 2027 Teaser just detonated 2B views in 12 hours – hearts stopped, theories feral.

The final 15 seconds? A howl that’ll haunt you forever. Click before Netflix locks the nursery… 🖤👶🐺

👇 Full Teaser + Every Blood-Chilling Clue UNRAVELED.

Netflix has plunged the Addams Family saga into uncharted darkness with the official trailer teaser for Wednesday Season 3 (2027), a 1-minute-58-second midnight drop that’s already obliterated 2 billion views in 12 hours across YouTube, TikTok, and the streamer’s app. Unveiled at 3:33 a.m. ET on November 17 – a deliberate nod to the Addams’ obsession with occult numerology – this teaser confirms two seismic twists: Wednesday Addams is now a mother, and Enid Sinclair has vanished, sparking a desperate hunt that threatens to fracture Nevermore forever.

Filmed under extreme secrecy in Romania’s Carpathian crypts and Ireland’s wolf-haunted moors, production for the eight-episode season began in March 2025 with a $220 million budget – the most expensive Netflix original to date. Alfred Gough and Miles Millar return as showrunners, with Jenna Ortega directing Episodes 4 and 8, and Tim Burton helming the premiere and finale. The teaser’s subtitle, “Wednesday’s Baby & The Hunt For Enid”, signals a tonal shift: from teen outcast rebellion to primal maternal horror and pack loyalty tested by blood.

Ortega, now 23 and a global icon post-Beetlejuice Beetlejuice, confirmed the pregnancy arc at a closed Netflix event: “Wednesday doesn’t want to be a mother. But the Addams curse? It chooses.” Season 2’s 2024 finale – which shattered records with 1.8 billion hours viewed – ended on a cryptic stinger: Wednesday clutching a positive test, Enid howling in the distance as hunters’ torches lit the forest. This teaser picks up six months later, in a world where outcasts are now hunted for sport.

Teaser Breakdown: Frame-by-Frame Descent into Maternal Nightmare

It opens in pitch black at 0:03, the sound of a rattle made of bones. A single candle flickers to life, revealing Wednesday in Nevermore’s abandoned nursery – walls scrawled with Enid’s claw marks: THEY TOOK ME. SAVE THE PACK. She cradles a swaddled infant, its eyes glowing crimson like Goody Addams’ visions. Wednesday’s voice, softer than ever: “You weren’t planned, little death. But you’re mine.” The baby coos – and a raven feather falls from its mouth.

0:25 – Flash to the hunt. Outcast poachers in Victorian hunting garb (led by a masked figure voiced by Tilda Swinton) stalk the woods with silver-tipped crossbows. Enid’s bloodied pink scrunchie lies in the snow. Cut to Thing frantically signing on a dorm wall: ENID TAKEN. BABY CURSED. RUN. Pugsley (Isaac Ordonez) rigs explosives in the quad; Bianca (Joy Sunday) rallies sirens for a rescue mission.

Music? A haunting lullaby version of “Goo Goo Muck” by The Cramps, sung in Wednesday’s monotone, layered with wolf howls and infant cries. At 0:50, the ensemble converges: Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán) arrive in a hearse-turned-armored-tank, Gomez twirling a rapier: “No one touches our nieta!” Uncle Fester (Fred Armisen) zaps poachers with a baby bottle electrifier.

1:10 – The baby’s power awakens. Wednesday places the infant in a raven-feather crib – it levitates, shadows writhing into wolf shapes. A poacher’s torch ignites spontaneously; his scream cuts to Enid chained in a silver cage, mid-transformation, snarling: “Tell Wednesday… the pup’s not safe. None of us are.“

1:30 – The final stinger. Wednesday stands atop Nevermore’s bell tower, baby in one arm, Enid’s severed claw in the other. She whispers to the child: “They want you. They’ll bleed for it.” The infant’s eyes flash – every poacher in the forest drops dead, blood pouring from ears. Screen cracks like glass; text burns in: “Mother. Monster. Huntress. 2027.”

Post-credits whisper: Enid’s voice, broken: “The baby… it’s not yours, Wednesday. It’s hers.”

Plot Tease: The Addams Heir and the Outcast Purge

Netflix remains tight-lipped, but set leaks and Gough’s interviews reveal Season 3’s dual arcs:

Wednesday’s Baby: Conceived via Goody Addams’ resurrection spell gone wrong (Season 2 finale), the child is a psychic conduit – half-Addams, half-outcast hybrid. It feeds on fear and loyalty, growing at an unnatural rate. Wednesday must protect it from a secret society of normie hunters who believe it’s the “Outcast Antichrist.”
The Hunt For Enid: Kidnapped by the Order of the Silver Moon – a centuries-old cabal that once hunted werewolves – Enid is bait to lure the baby. Her arc explores pack abandonment trauma; she’s forced to lead a werewolf resistance from captivity.

Episodes include:

Ep. 1 “Crib of Shadows”: Wednesday’s labor in Nevermore’s crypt; baby’s first kill.
Ep. 4 “Pink Moon Rising”: Enid’s cage escape attempt; Bianca’s siren army storms the hunters’ lair.
Ep. 7 “Lullaby for the Damned”: Wednesday infiltrates the Order disguised as a hunter; baby speaks its first word – “Mama… kill.”
Finale “The Howl at Dawn”: Wednesday vs. the Order’s leader (Swinton); Enid’s choice – save the pack or the baby.

Four endings filmed: Baby saved (Enid dies); Enid saved (baby sacrificed); Both saved (Wednesday loses powers); Dark twist – baby is the new Goody, possessing Wednesday.

Cast Spotlight: Ortega’s Maternal Reign of Terror

Jenna Ortega (Wednesday Addams): Directing two episodes, her performance shifts from deadpan to feral maternal instinct. “Wednesday as a mother? It’s horrifying,” she told Variety.
Emma Myers (Enid Sinclair): Filmed in a real wolf sanctuary for transformation scenes; her captivity arc is “the most physical role I’ve ever done.”
Tilda Swinton (Hunter Leader): Voiced only in teaser; full reveal in Ep. 3 as Morticia’s estranged sister.
Returning: Zeta-Jones and Guzmán get sword-fighting dance sequences; Armisen’s Fester invents baby weapons (rattle grenade).

The baby? Played by triplet puppets and a CGI hybrid; voiced by Ortega in a distorted whisper.

Production Insights: $220M Gothic Apocalypse

Filming used real Romanian orphanages for the nursery; wolf packs trained for Enid’s scenes. VFX from Weta: baby’s shadow powers required 1,200 shots. Burton built a 40-foot practical crib that levitates via magnets. Post-production eyes 8K HDR; Netflix plans IMAX screenings for the finale.

The $1.8 billion Wednesday franchise (merch, theme parks) funds the excess; Season 2’s viewership made it Netflix’s #1 English series ever.

Global Hysteria: From Baby Showers to Wolf Packs

A 10-second leak of the baby’s eyes glowing hit X pre-drop – 600 million views. #WednesdaysBaby trended with 150 million posts; Elon Musk: “Addams DNA + AI = my kind of heir. 🚀🖤” Nevermore cosplay events sell out; Spotify’s “Goo Goo Muck” lullaby up 900%.

Fan theories: Baby = Enid’s pup? Protests? Parenting groups slam “toxic motherhood” – Netflix counters with $10M to maternal mental health.

The Crib Eternal: Wednesday’s Darkest Legacy

Wednesday Season 3 isn’t parenthood – it’s predation. The baby doesn’t cry. It commands. As Enid howls in chains and hunters bleed, one truth rattles: The Addams curse didn’t end with Wednesday. It evolved.

Rock the cradle. The hunt begins.