💔 TEARS FALLING: Diane Keaton’s last photos will leave you speechless—snapped just weeks ago, she’s radiant, cradling her dog with that iconic smile. 🐾 ‘She left us love,’ a friend whispers. What was her final wish? These tender moments hide a story too beautiful to miss. 😢 Tap to see her quiet goodbye. 👉

The world is still reeling from the sudden loss of Diane Keaton, the Oscar-winning actress whose quirky charm and menswear-inspired style made her a Hollywood icon for over five decades. Keaton, who passed away on October 11, 2025, at age 79 in her Los Angeles hometown, left behind a legacy of laughter, vulnerability, and authenticity. Now, a series of intimate final photos—taken just weeks before her death—has surfaced, offering a poignant glimpse into her last days and stirring an outpouring of grief from fans and friends alike. Shared by her family on Instagram and published by People magazine, the images capture Keaton at her most unguarded: cradling her beloved golden retriever, Reggie, in her Pacific Palisades backyard, her face aglow with the same infectious smile that lit up Annie Hall.

“She left us love,” longtime friend and songwriter Carole Bayer Sager told ABC News, describing Keaton’s final weeks as a quiet embrace of life despite her declining health. The photos, snapped in mid-September by her adopted son, Duke, 25, show Keaton in a wide-brim hat and oversized scarf, laughing as Reggie nuzzles her cheek. Another captures her sipping tea on her porch, gazing at the sunset—a moment her daughter, Dexter, 29, called “Mom’s way of saying goodbye without words.” The images, released with the family’s blessing, have sparked a viral wave of tributes on X, with fans flooding the platform under hashtags like #ForeverAnnie and #DianeKeaton, sharing memories of her roles as the neurotic romantic, the fierce matriarch, and the style icon who made turtlenecks timeless.

Keaton’s death, confirmed by her family and producer Dori Rath, followed a swift health decline that caught even those closest to her off guard. The Los Angeles Fire Department responded to a call at her Pacific Palisades home around 8 a.m. on October 11, transporting her to a local hospital where she was pronounced dead. No official cause has been released by the Los Angeles County Medical Examiner’s office, but sources close to Keaton point to her history of health struggles: bulimia in her 20s, detailed in her 2011 memoir Then Again, and two battles with skin cancer in the 1990s and 2000s. Insiders note she’d grown frail after January’s devastating wildfires forced her to relocate temporarily to Palm Springs, listing her beloved Pacific Palisades estate—a home she designed herself—for sale just weeks before her passing.

Born Diane Hall on January 5, 1946, in Los Angeles, Keaton carved an improbable path to stardom. Dropping out of Santa Ana College to chase acting dreams in Manhattan, she adopted her mother’s maiden name to skirt union rules. Early gigs on The Guiding Light and Broadway’s Hair honed her comedic timing, but it was her 1969 audition for Woody Allen’s Play It Again, Sam that changed everything. “She walked in, and I saw this lanky, radiant girl—like Huckleberry Finn with a sparkle,” Allen wrote in his recent tribute, published by The Free Press. Their romance blossomed during the play’s D.C. run, fueling a creative partnership that birthed eight films, including the 1977 masterpiece Annie Hall, which won Keaton a Best Actress Oscar and redefined romantic comedies with its neurotic wit.

Those final photos, now etched in public memory, reflect the essence of Keaton’s spirit—unpretentious, warm, and fiercely devoted to those she loved. In one image, she’s seen tossing a tennis ball to Reggie, her laughter frozen mid-frame. “That was Mom—always finding joy in the little things,” Dexter shared on Instagram, where the post has garnered over 2 million likes. Another photo shows Keaton flipping through a worn copy of The Godfather, a nod to her role as Kay Adams in Francis Ford Coppola’s trilogy, a part that cemented her as more than a comedic muse. The images, devoid of Hollywood gloss, feel like a private diary made public—a gift to fans mourning the woman who made vulnerability an art form.

Keaton’s career was a study in versatility. After Annie Hall, she toggled between comedy and drama with ease. In The Godfather (1972) and its sequels, she evolved Kay from a naive bride to a steely conscience, holding her own against Al Pacino’s Michael Corleone. Her dramatic turn in Marvin’s Room (1996) opposite Meryl Streep and Leonardo DiCaprio earned her a third Oscar nod, showcasing a woman grappling with illness and family rifts. Comedies like Baby Boom (1987) and The First Wives Club (1996) let her flex her wit, skewering corporate life and vengeful exes alongside Bette Midler and Goldie Hawn. Later, Something’s Gotta Give (2003) paired her with Jack Nicholson for a late-in-life romance that grossed $267 million globally, proving her draw at 57.

Off-screen, Keaton was a trailblazer. She adopted Dexter and Duke in her 50s, embracing single motherhood with the same fearlessness she brought to roles. Her memoirs, Then Again and Brother & Sister (2020), wove her story with her mother’s, exploring Alzheimer’s and family bonds with unflinching honesty. A passionate photographer, she amassed a collection rivaling her film accolades, curating books like Reservations and championing outsider art. Her style—bowler hats, tailored vests, and ankle boots—sparked a fashion revolution, inspiring designers like Ralph Lauren and earning her a CFDA Fashion Icon nod in 2014.

Yet Keaton’s life wasn’t without shadows. She battled bulimia in her 20s, confessing in Then Again to binging 20,000 calories a day during dates with Allen, a secret she hid behind her radiant grin. Skin cancer scares in the 1990s and 2000s pushed her to advocate for early detection, partnering with the American Academy of Dermatology. She never watched her own films, plagued by self-doubt that endeared her to fans. “I’m the most self-deprecating person alive,” she told Nancy Meyers, who directed her in Baby Boom and Something’s Gotta Give.

The photos’ release has amplified tributes from Hollywood’s elite. Bette Midler, her First Wives Club co-star, posted on X: “Diane was pure joy—her laugh could light up a room. These pictures? That’s her soul shining through.” Goldie Hawn, another collaborator, wrote: “She left a trail of fairy dust… We weren’t ready to lose you.” Woody Allen, her former partner and director, penned a 1,000-word essay in The Free Press, calling her “a one-of-a-kind force” whose “great laugh still echoes in my head.” Robert De Niro, her Godfather co-star, told ABC News he was “heartbroken” by the news, blindsided by her sudden decline.

On X, fans have turned the photos into a digital shrine. A post by @CinemaLover88, captioned “Diane Keaton’s final smile is breaking my heart,” racked up 1.5 million views. Another, from @AnnieHallFan, shared a collage of the sunset photo alongside Annie Hall stills, writing: “She was our la-di-da, our forever muse.” The images have also sparked speculation about her health, with some pointing to her thin frame as a sign of illness. Sager, who visited Keaton in Palm Springs, noted she was “very thin” but still “full of life,” dismissing rumors of a prolonged battle.

Keaton’s final public appearance, at an August 2024 Los Angeles charity event, saw her in high spirits, sporting her signature layered look and joking about her dog’s Instagram fame. Her last social media post, in April, showed her and Reggie curled up at home, captioned: “Life’s better with a furry friend.” The absence of posts thereafter worried fans, but the new photos—shared with a family note thanking supporters—offer closure. “She wanted to be remembered for love, not sadness,” Dexter wrote.

As Hollywood mourns, Keaton’s legacy endures in her films, her fearless individuality, and these final, heart-wrenching images. From Annie Hall’s nervous romance to Book Club’s late-life revelry, she taught generations to embrace their quirks. The photos, with their quiet grace, are her last gift—a reminder that even in farewell, Diane Keaton remains unforgettable, her laugh echoing like a melody that refuses to fade.