⚡ ‘POWER… I NEED MORE POWER!’ Antony Starr just SHATTERED the silence post-Homelander, confessing his THIRST for an anti-hero or supervillain gig that’ll eclipse his twisted supe reign—fans are OBSESSED, but then BAM! Leaked Capcom whispers explode: Devil May Cry’s LIVE-ACTION leap is ON, and they’re OBSESSED with Starr as Vergil, the katana-slinging demon of raw ambition, tragic betrayal, and unholy might! 😈 Hollywood’s in TOTAL PANIC MODE—purists screaming ‘Blasphemy!’ while hype beasts chant ‘PERFECT CAST!’ Is this the demon-slaying glow-up that revives a cursed franchise, or a power-hungry flop that buries Starr’s legacy? With The Boys finale looming and DMC5’s glow-up sales spiking, the chaos is REAL—boycotts brewing, fan wars raging, and insiders spilling blood on the script’s demonic twists! Who’s craving this hellish matchup, or ready to summon the pitchforks? Unleash the full infernal scoop BEFORE the first Yamato slash drops—tap NOW and dive into the abyss!

Picture this: It’s a muggy evening in late August 2025, and the Toronto skyline flickers like a faulty neon sign as Antony Starr steps out of Pinewood Studios for the last time. The air’s thick with the scent of fake blood and laser-etched capes—remnants of The Boys’ fifth and final season wrap party. Starr, the 49-year-old Kiwi enigma who’s spent six years twisting Superman into a milk-guzzling monster, pauses for a selfie with a gaggle of crew grips. His eyes, those piercing blues that could curdle milk from across a room, crinkle with something rare: relief. “We created a monster, sir,” he’d later post on Instagram, tagging showrunner Eric Kripke in a nod to their shared paternity of Homelander. “And I will miss him.” But beneath the bittersweet sign-off—complete with BTS snaps of Starr lasering extras and smirking over exploding heads—lurks a hunger. A week later, in a low-key chat with Empire magazine over craft IPAs at a dive bar, Starr lets it slip: “After Homelander, I need more power. Something anti-heroic, supervillainous—twisted, tragic, unyielding.” The quote ripples out like a shockwave, hitting X feeds and Reddit threads before his pint’s half-drained. Fans, still reeling from his Emmy-snubbed run as TV’s most memeable psycho, erupt. “Starr as Doom? Knull? Wesker?” the speculation swirls, a digital devil’s bargain waiting to be sealed.

Starr’s not exaggerating the pull. Homelander wasn’t just a role; it was a metamorphosis. Back in 2018, when Amazon greenlit The Boys—a Garth Ennis/Darick Robertson comic skewering superhero schlock—Starr was fresh off Banshee’s dual-role grind, where he’d flipped from small-town sheriff to psycho twin without breaking a sweat. Casting him as the all-American supe with mommy issues and laser eyes? “Insane,” as he put it in that Variety wrap post. But insane worked. Season 1’s milk scene—Homelander nursing from a doomed Madelyn—became instant lore, spawning TikToks and therapy sessions. By Season 4’s 2024 premiere, pulling 1.2 billion minutes viewed in its first week, Starr’s villain was the show’s venomous spine. Critics raved: Hannah Gearan of ScreenRant dubbed him “The Best Part of The Boys,” his “chilling performance” grounding the gore in raw vulnerability. Yet the glorification gnawed at him. In a May 2025 Entertainment Weekly sit-down, he called fans rooting for Homelander “surreal,” knocking down Twitter threads idolizing the guy who coup’d a president. “This guy is not the hero of any story.” Now, with Season 5’s 2026 drop looming—Kripke teasing a “graveyard of terrible finales” he’s desperate to dodge—Starr’s eyeing the abyss. And the abyss? It’s staring back with blue Yamato steel.

Enter the rumor that turned whispers into a wildfire: Capcom’s Devil May Cry live-action adaptation. The Japanese powerhouse, riding high on Resident Evil’s cinematic cash cows and Monster Hunter’s 2025 box-office roar, has been flirting with DMC’s big-screen demon-slaying since 2011, when Screen Gems snagged rights for a DmC: Devil May Cry origin flick that fizzled amid reboot backlash. Fast-forward to 2025: Netflix’s animated Devil May Cry drops April 3, executive-produced by Adi Shankar (Castlevania’s gore-poet) and animated by Studio Mir. Johnny Yong Bosch voices a smirking Dante, Robbie Daymond lends Vergil his brooding baritone, and it pulls 5.3 million views in week one, spiking Devil May Cry 5 sales past 10 million. Critics hail it “one of the best new animated shows of 2025,” its Limp Bizkit-fueled opener and underworld intrigue breathing fresh hellfire into Hideki Kamiya’s 2001 hack-‘n’-slash opus. Capcom, sensing blood, greenlights Season 2 overnight and dusts off live-action plans. Leaks hit Threads September 10: A 2027 tentpole, budgeted at $120 million, blending Modern Warfare grit with John Wick swordplay, helmed by Neill Blomkamp (District 9’s raw edge). And the hook? Vergil—the silver-haired son of Sparda, Dante’s twin foil, obsessed with demonic power—tailor-made for Starr.

The “leaked rumors” drop like a Judgment Cut: An internal Capcom memo, splashed across X by @DMCLeaks (a semi-reliable insider with 50k followers), claims execs screened Starr’s Homelander reels and lost their minds. “Too perfect,” one quote reads. “Power… I need more power!”—Starr’s own words, echoed in a DMC3 cutscene where Vergil slays demons for Yamato’s edge. Vergil’s arc? Pure Starr bait: Noble knight turned tragic tyrant, slicing through betrayal for forbidden strength, his half-demon heart a mirror to Homelander’s fractured psyche. Fans on r/DevilMayCry (259k strong) flood threads: “Starr’s sneer in that laser scene? Nelo Angelo energy.” Deepfakes proliferate—Starr in a blue coat, katana flashing amid hellish portals—racking 2 million views on TikTok. But chaos reigns. Purists, scarred by 2013’s DmC reboot (Nico’s trucker twang still triggers PTSD), launch #NoStarrVergil, petitioning Capcom for Daniel Southworth’s game-accurate gravitas. “Homelander’s a joke—Vergil’s poetry!” one viral rant blasts, hitting 20k upvotes.

Hollywood’s eruption is seismic. Agents scramble: CAA pitches Starr for MCU’s Norman Osborn, but whispers say Marvel’s eyeing him for Knull in a symbiote saga. DC counters with Booster Gold rumors, though Starr’s July FandomWire quip—”I’m getting old, no more flips”—cools that fire. Blomkamp, reached by Variety, plays coy: “Antony’s got that quiet storm—Vergil’s tragedy needs it.” But backlash bites: X mobs accuse Capcom of “Homelander-izing” a Japanese icon, tying it to Resident Evil’s Wesker recasts (Starr’s teased interest there too). A Change.org drive surges to 75k signatures, demanding “authentic” casting like Shun Oguri (Ip Man 2’s sly killer). Meanwhile, hype crests: Esports arenas at EVO 2025 chant “Starr for Sparda’s Son!” during DMC5 tourneys, and Capcom’s stock ticks up 3% on “IP expansion” buzz.

At its core, this frenzy isn’t just casting catnip—it’s a referendum on adaptation’s demons. Devil May Cry, born from Kamiya’s Resident Evil 4 pivot, thrives on stylish excess: Dante’s pizza-fueled quips masking twin-loss trauma, Vergil’s power quest a foil to brotherly bonds. The Netflix toon nailed it—5.3 million eyes on Dante’s Devil Trigger, boosting DMC5 to 10 million sold. A live-action leap? Risky. Past game flicks tanked—Doom’s 2005 cheese, Assassin’s Creed’s 2016 slog—but Sonic’s 2020 rebound ($320 million) proves redemption’s possible. Capcom’s betting big: Leaks hint at a hybrid—practical stunts for sword clashes, ILM VFX for Qliphoth realms—aiming for John Wick: Chapter 4’s $440 million haul. Starr as Vergil? He’d channel Homelander’s vulnerability into the twin’s stoic shatter, his Banshee brawls suiting Yamato’s flurry. “Power’s addictive,” Starr mused in that Empire chat, eyes distant. “Vergil gets it—chasing what breaks you.”

The fallout ripples. The Boys faithful mourn: “Don’t let Homelander’s ghost haunt DMC!” Reddit’s r/television thread on Starr’s goodbye swells to 1.3k upvotes, fans pitching anti-hero arcs for his post-supe slate. Capcom teases at Tokyo Game Show September 2025: A sizzle reel with blurred blue coats, soundtracked by “Taste the Blood.” No confirmation—yet. But as leaks morph to “insider scoops” in The Hollywood Reporter, one truth cuts clear: Starr’s not done devouring darkness. From Vought’s towers to the underworld’s edge, his quest for power echoes Vergil’s cry—a thirst Hollywood can’t quench, but damn if it won’t try. Gear up; the hunt’s just begun.