Texas titans, grab your hard hats—Demi Moore’s Cami just declared war on the boardroom, and Sam Elliott’s mustache means business! 💥🛢️ What if one widow’s whisper topples an oil empire, while a grizzled patriarch’s secrets drill straight to Tommy’s core? Explosive deals gone south, family fists flying, and black gold that’s bloodier than ever—will the takeover bury them all, or crown new kings? Hit the link for the Episode 1 trailer that’s got roughnecks reeling… Who’s ready to strike it rich in Season 2? 🤠🔥

The sun-baked rigs of West Texas are about to rumble louder than a frac job gone wrong. Paramount+ unleashed the full trailer for Landman Season 2 Episode 1—”Rigged for Ruin”—on October 29, a blistering 2:15 montage that spotlights Demi Moore’s Cami Miller clawing her way to corporate throne and Sam Elliott’s gravel-voiced patriarch storming in like a dust devil. With Billy Bob Thornton’s Tommy Norris caught in the crossfire of widow’s vengeance and daddy issues, the clip teases a season where oil isn’t just profit—it’s poison. Quick cuts of Moore’s steely glare amid banker showdowns, Elliott’s haymaker to Thornton’s jaw, and rigs erupting in flames have fans drilling into theories: Is Cami’s “meaner than Monty” vow a setup for betrayal? And what buried grudge does Pop Norris unearth? X lit up with #LandmanTakeover, racking 300,000 mentions in hours, one user posting, “Demi owning that boardroom? Sam’s mustache alone could cap a well—Season 2’s gonna gush.”

For those late to the pumpjack party, Landman—Taylor Sheridan’s gritty ode to the Permian Basin boom—isn’t your grandma’s cowboy yarn; it’s a high-octane cocktail of boardroom backstabbing, roughneck brawls, and geopolitical chess, inspired by Christian Wallace’s Boomtown podcast. Debuting November 17, 2024, the series hooked 35 million global eyeballs on its premiere episode alone, per Paramount+ metrics, outpacing even Yellowstone‘s launch in the streamer era. Set against the shale revolution’s roar—where fracking reshapes skylines, economies, and climates— it follows Tommy Norris (Thornton), a crisis-wrangling landman turned ops veep at M-Tex Oil, juggling cartel threats, family fractures, and the endless grind of leasing mineral rights. Season 1’s arc climaxed with CEO Monty Miller (Jon Hamm) flatlining mid-heart surgery, thrusting Tommy into uneasy alliance with Monty’s widow Cami (Moore) and igniting a powder keg of inheritance intrigue. Critics hailed it a “watchable fuel” for Sheridan’s empire, with Rotten Tomatoes at 78% fresh, though some panned its renewable energy jabs as heavy-handed. Thornton’s Golden Globe nod for his rumpled everyman—part philosopher, part fixer—cemented the show’s pull, but whispers of Emmy snubs stung, with Variety calling it “Sheridan’s sleeper hit that deserved a wake-up call.”

Renewed in March 2025—barely four months post-finale—the sophomore run cranks the RPMs, premiering November 16 with weekly Sunday drops at midnight PT on Paramount+. Filming kicked off February 10 in Fort Worth’s dusty outskirts and New Mexico’s faux Permian stands, wrapping August 15 amid a brutal heatwave that mirrored the script’s scorched-earth stakes, per location manager updates on X. Showrunners Sheridan and Wallace, drawing from real oil scandals like the 2024 EPA probes into methane leaks, amp the authenticity: Episode 1 dives into Cami’s hostile takeover bid against rival wildcatters, Tommy’s opioid-fueled spiral clashing with his estranged dad’s return, and a cartel hit that blurs lines between boardrooms and backroads. “This ain’t Season 1’s setup—it’s the eruption,” Sheridan teased in a Deadline profile, hinting at crossovers with his Lioness universe via Andy Garcia’s recurring cartel kingpin Galino. The trailer’s voiceover—Elliott’s baritone rumbling, “This land takes everything unless you take it first”—sets a scorched tone, intercutting Moore’s power-suit pivot (“The only difference between me and my husband? I’m meaner”) with Thornton’s weary drawl to Pop: “Just another day.”

Moore’s Cami, a Season 1 sideliner eclipsed by Hamm’s charisma, explodes into the fray as M-Tex’s iron-fisted majority owner—grieving, scheming, and schooling suits on the art of the deal. “Cami’s no damsel; she’s the derrick,” Moore told People at the Emmys after-parties, her post-The Substance Oscar buzz fueling the glow-up. Teaser shots show her striding into investor meets, Tommy at her flank like a reluctant gunslinger, their partnership fraying over a shady lease that could flood the market—or bankrupt the firm. Enter Elliott as T.L. “Pop” Norris, Tommy’s long-absent father, a Bible-thumping rancher whose moral code (and fists) collide with his son’s compromises. Their trailer dust-up—a porch-side pummeling over “blood money”—echoes 1883‘s Brennan, Sheridan’s last Elliott canvas, where the vet snagged a SAG nod for frontier grit. “Pop’s the ghost in Tommy’s machine—unforgiving, unbreakable,” Elliott growled in a THR interview, his mustache a meta-star stealing frames. Thornton, reuniting with his Tombstone co-star after 32 years, quipped on set: “Sam hits like he talks—slow, then seismic.”

The ensemble oils the gears: Thornton’s Tommy anchors as the haunted hub, his opioid haze from Season 1’s rig accident deepening into family reckonings with ex Angela (Ali Larter), a no-nonsense realtor eyeing her cut; wild-child daughter Ainsley (Michelle Randolph, 1923‘s Elizabeth Dutton), now at TCU dodging sorority scandals; and hothead son Cooper (Jacob Lofland), whose joyride joyrides veer into cartel crosshairs. Garcia’s Galino, teased in the finale as Monty’s silent partner, ramps to antagonist, smuggling migrants via pipelines in a nod to 2025 border flare-ups. New grease: Guy Burnet’s Charlie Newsom, a silver-tongued engineer whose “charm offensive” masks corporate espionage; Kayla Wallace’s Rebecca, Tommy’s aide-de-camp turned whistleblower; Paulina Chávez as teen driller Ariana, injecting Gen-Z fire into the fields; James Jordan’s Dale Bradley, the comic-relief roughneck with a side hustle in bootleg biodiesel; and Colm Feore’s silver-fox attorney, repping M-Tex in SEC probes. Hamm’s Monty? Door’s cracked for flashbacks, per insider leaks, but his “no resurrection” stance to USA Today holds firm. Mark Collie’s ghostly consultant haunts margins, crooning original ballads over credit crawls.

Episode 1’s blueprint—leaked via crafty PA posts—unspools a multi-front siege: Cami’s banker powwow sours when a EPA audit exposes frack-fluid dumps, fingering Tommy’s crew; Pop’s arrival unearths a 1980s land swindle that could void M-Tex’s core leases; and Cooper’s hookup spirals into a fentanyl-laced party bust, drawing Galino’s gaze. Sheridan weaves realpolitik: Subplots nod to OPEC cuts jacking U.S. exports, Biden-era methane regs cramping wildcats, and Texas’ 2025 grid blackouts blamed on over-drill. “We’re not preaching— we’re prospecting the mess,” Wallace told EW, crediting consultants from Occidental Petroleum for rig-side verisimilitude. The trailer’s pyrotechnics—a rig inferno synced to explosive score—hint at body counts, with Tommy’s line, “Survival ain’t noble—it’s brutal,” capping a montage of betrayals.

Landman‘s not Sheridan’s first rodeo with resource rifts—Yellowstone‘s ranch wars, Wind River‘s frack-fueled furies—but it carves a niche in the neo-Western boom, blending Succession‘s scheming with Hell or High Water‘s dust-choked despair. Season 1’s 10-episode sprint averaged 4.2 million U.S. households weekly, per Nielsen, a 25% demo bump over Tulsa King, with international streams (via SkyShowtime in Europe) spiking 40% amid Ukraine’s energy crunch. Merch? Oil baron hats and “Take It First” tees flew $2 million in Q1 2025, per Paramount shop data. But shadows loom: A June lawsuit from Paul Harvey’s estate over an unauthorized Rest of the Story clip in Episode 6 could chill syndication, with Paulynne Inc. seeking $10 million. Critics? THR dubbed the renewal “a gusher for Paramount+,” but some X threads griped at Sheridan’s “endless alphas,” with #TooManyMustaches trending post-trailer.

Behind the booms, production’s a well-oiled beast. Bosque Ranch’s Fort Worth HQ buzzed with 250 crew, Sheridan directing Episodes 1 and 7—his signature long takes capturing Thornton’s monologues under 110-degree skies. Larter, pregnant during shoots, channeled it into Angela’s arc: “Motherhood’s the real takeover,” she posted on Insta, her bump a set mascot. Randolph’s Ainsley gets a Texas Monthly internship subplot, mirroring her 1923 poise, while Lofland bulked up for Cooper’s roughneck turn, crediting stunt coordinator for “authentic ass-kickings.” Fan fests in Midland and Dallas sold out, with panels promising Moore-Elliott teases; bootleg trailers hit 5 million YouTube views pre-official drop. Sheridan, juggling Lioness S3 and a rumored Yellowstone finale, eyed expansion: “Season 3? If the rigs hold.”

The Demi & Sam takeover isn’t hype—it’s hegemony. Moore’s Cami evolves from grieving spouse to cutthroat CEO, her trailer zinger to bankers (“I bury bodies for breakfast”) a Sheridan-ian gut-punch. Elliott’s Pop? A paternal phantom whose “long, hard look” at Tommy unpacks generational toxins—oil wealth’s curse on kin. As Episode 1 barrels toward a cliffhanger lease signing amid a cartel ambush, one truth gushes: In Sheridan’s Texas, fortune’s a frac—fragile, furious, forever fracturing.

Stream Season 1 now on Paramount+; Season 2 drops November 16. Roughnecks, rig up— the boom’s back, blacker than ever.