
However, it took three years after House of the Dragon season 1 ended for Alcock to debut another starring TV role, with the anticipation being even greater as she prepares to lead the DCU’s upcoming film Supergirl: Woman of Tomorrow in the titular role. Before that movie arrives in 2026, Alcock gets to showcase more of her talents alongside Meghann Fahy, Julianne Moore, and Kevin Bacon in the main cast of Netflix’s Sirens. Alcock stars as Simone DeWitt, a type-A, class-striving personal assistant with a traumatic background she tries to run from, whose characterization marks a significant departure from Rhaenyra.
Milly Alcock’s Simone In Sirens Is Completely Different From House Of The Dragon’s Princess Rhaenyra
Simone’s Personality Is Very Different From Rhaenyra






While she rose to fame for portraying the future Queen Rhaenyra Targaryen, Milly Alcock’s first TV follow-up sees her play a remarkably different type of character. Young Rhaenyra was rebellious, self-assured, independent, open to different worlds around her, and prideful, and stayed true to herself regardless of the powers and personalities that became obstacles in her duties as the heir to the Iron Throne. That, however, is very far from who Sirens’ young Simone DeWitt proves to be in Netflix’s black comedy thriller.
Simone is quite the opposite; she portrays herself as confident, independent, and rebellious to those around her, but is actually completely unsure of herself, finds herself entirely dependent on powerful figures around her, and is incredibly frightened of others discovering that she lied, rebelled, or disappointed them in some way. Simone might like to see herself as becoming similar to Rhaenyra, but ultimately is someone who Rhaenyra may pity for being so dependent and treacherous based on what suits her personal, immediate needs.
All five episodes of Sirens are now available to stream on Netflix.
While she’s a complex character who wouldn’t be considered a “villain,” Simone is much more difficult to support and root for than a character like Rhaenyra Targaryen. Sirens’ ending sees Simone make a dark choice that, while realistic to her character and more tragic deeper motivations, is a betrayal someone like young Rhaenyra would never make. Even without the fantastical and royal elements of House of the Dragon, Rhaenyra and Simone have two completely different backgrounds, but their choices as they grow older are still generally rooted in the traumas of their upbringings.
Simone’s Sirens Ending Mirrors Rhaenyra Becoming Queen, But In A Far Worse Way
Their Motivations & Strategies For Obtaining Power Are Different





A major theme that overlaps in both Sirens and House of the Dragon is power and class, with Milly Alcock’s characters both playing major roles in the main succession of each show’s “royalty.” In House of the Dragon, Rhaenyra is the heir to the Iron Throne, and has been learning to assume the responsibilities of eventually becoming Queen of Westeros since she was a teenager. Meanwhile, in Sirens, being “Mrs. Kell” of the Cliff House is essentially the equivalent of being the queen of a kingdom. Alcock’s characters ultimately assume those roles in each show, but they’re accomplished very differently.
…There’s a deeper tragedy in the ruthlessness, selfishness, and desperation for survival that were required [for Simone] to obtain it.
In House of the Dragon, Rhaenyra didn’t necessarily want the burden of the Iron Throne or fulfilling Aegon’s Dream, but it was a duty bestowed upon her by her father to ensure the future survival of humanity. The Iron Throne was both her birthright and a reluctant responsibility, but she upheld her duty by fighting for it when she was usurped by her younger half-brother, ultimately still being crowned Queen Rhaenyra Targaryen. She tried doing so without bloodshed, greed, or betrayals, but the fragility of holding power meant she had to play the game to keep her crown.
News
THE INTERACTIVITY RENAISSANCE: Why ‘Crimson Desert’ is the Wake-Up Call the Open World Genre Desperately Needed
OPEN WORLD GAMES ARE DYING—AND CRIMSON DESERT JUST BROUGHT THEM BACK TO LIFE! 😱🔥 Let’s be honest: modern open-world games have become “Map Marker Simulators.” You go to a point, clear a camp, and repeat until you’re bored to tears….
THE ABYSS HEIST: How ‘Crimson Desert’ Players are Skipping Late-Game Bosses to Secure ‘Endgame’ Gear Early
STOP GRINDING CHAPTER 9! GET THE MOST OP ABYSS WEAPON RIGHT NOW! 😱🔥 Why wait 40 hours to fight Goyen when you can just… take his sword right now? The community has just discovered a “Boss Fight Skip” in the…
THE 1.5.1 ARTIFACT EXPLOSION: ‘Crimson Desert’ Endgame Economy Collapses as New ‘Guaranteed Drop’ Exploit Surfaces
10 ABYSS ARTIFACTS PER RUN?! PEARL ABYSS HAS GONE ABSOLUTELY INSANE! 😱🔥 Stop everything you’re doing! The 1.5.1 hotfix just went live and it has accidentally turned Pywel into a literal gold mine. We just confirmed a “Loot Floor” glitch…
THE ABYSS ASCENSION: New ‘Hyper-Farm’ Discovery Breaks ‘Crimson Desert’ Leveling System Post-Patch 1.05
STOP GRINDING THE WRONG WAY: THE 1.05 EXP EXPLOSION IS HERE! 😱🔥 Are you still killing basic bandits for 5 XP? You are wasting your life! A new “Abyss Artifact” farming route just surfaced after the latest hotfix, and it’s…
THE ETERNAL SIEGE: How ‘Crimson Desert’ Players Are Exploiting ‘Permanent Blockades’ for Infinite High-Tier Loot
STOP RESETTING YOUR WORLD! YOU ARE KILLING YOUR ABYSS ARTIFACT DROPS! 😱🔥 Everyone is talking about “Reblockade,” but the pro players have just discovered something that feels like a legal cheat code. We’ve been told to liberate the forts to…
MECHANICS OVER MANUSCRIPTS: Why ‘Crimson Desert’ is Dominating the GOTY Conversation Despite a ‘Forgettable’ Narrative
FORGET THE PLOT! CRIMSON DESERT IS THE GOTY FRONT-RUNNER AND IT’S NOT EVEN CLOSE! 😱🔥 Is a mediocre story enough to kill a masterpiece? The critics are divided, but the players have already spoken: Crimson Desert is redefining the entire…
End of content
No more pages to load